 Editor's Section
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John F. Berky
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john@abruckner.com
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> Editor's Section > Discographic HorrorsDiscographic HorrorsThe Discographic "Den of Horrors"
(Updated January 22, 2007)
There are lots of errors on the recordings listed in this discography. Some give the wrong date, some give false names for the artists, but some gaffes will always bubble to the top and these are my present nominees for the Brucknerian "Den of Horrors."
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Adventure Classic MJ 26368 - Bruckner: Symphony No. 6 (Actually Symphony in D Minor)Classic Bruckner! It's a classic, alright. The CD says it is the Bruckner Symphony # 6, but in fact the CD contains a very poor monaural copy of Marzendorfer's performance of the early Symphony in D Minor. It lists that the symphony is in three movements since they combined the last two movements onto one track. Nice work! |
Allegretto 210695 - Bruckner Symphony No. 4The conductor on this CD is listed as Henry Adolph. This fictitious maestro shows up on lots of CDs, so that alone does not get this CD a listing. However, now we have Bruckner living from 1838-1880. That certainly puts many of the composer's late editions - and the entire Symphony # 9 - outside of his lifespan! This makes the problems with the editions all the more confusing.
(My thanks to Holger Grintz in Germany for this information.)
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Camerata 33CM-379-80 - Bruckner Symphony No. 2This recording has been added on two accounts. The original project that Camerata undertook was to record the 1872 first concept and 1873 first performance editions of the Bruckner Symphony # 2. After the sessions were over, Kurt Eichhorn wanted to record another version of the finale that amalgamated some of Bruckner's later thoughts - mostly dating from 1876. So instead of clarifying issues, it just muddied the water by introducing yet another amalgamated version. But what really gets this set listed here is how Camerata packaged it. The 1872 & 1873 performances were released on a two CD set (15CM-195-96). They then released this set with the 1872 version and coupled the amalgamated finale with some rehearsal material. If you went ahead and bought the complete symphony set, you would now have THREE copies of the 1872 edition. |
Classic Mediaphon MED 22.207 - Bruckner Collection |  | | | Clinck to enlarge |
Here is a nice compilation of Bruckner excerpts. The credits for the Quintet and the Motets are correct, but for the Symphony No. 4, not only do they use the pseudonym (it's actually Milan Horvat), but they spell the pseudonym's name incorrectly!! It's Denis Zsoltay, not Szoltay! Or...maybe this is the correct spelling and all the others are wrong?? |
Decca Eloquence 473 474-2 - Bruckner: Symphony No. 8Here's an odd one. Decca released this CD with Georg Solti leading the Chicago Symphony Orchestra in the Bruckner 8th. The recording didn't sound right and the timings were different from earlier releases. Was it a different performance with Chicago? Unfortunately no. It is the earlier recording that he made with the Vienna Philharmonic Orchestra. Decca has corrected the error, but that is why there are CD covers on the market with either Vienna or Chicago on the label. The performance on these CDs is always Vienna. |
EMI CDM 5 66095 2 & Toshiba TOCE-13282 - Bruckner Symphony No. 7 This legendary recording has been in the catalog since it was issued back in the 1970's. Its first appearance on CD (EMI CDM 7 69923 2) came through OK since the engineers inserted all the edits. But all subsequent re-masterings have omitted bars 35-38 from the finale! EMI had been told about this error before but they chose to ignore it. Subsequently, when Yoshio Okazaki re-mastered the recording for Toshiba in Japan in 2006, he perpetuated EMI's error. The MHS CD suffers from the same defect. Happily, EMI is now acknowledging the error and is supplying corrected discs. Your defective discs can be replaced through me. Unhappily, it appears that the faulty recording was used in EMI's recent 160 CD Karajan commemorative set! |
Iron Needle IN 1392 - Bruckner Symphony No. 7Here is a company that prides itself on issuing historical recordings and then provides incorrect information. The label says that the recording is, "Newly Remastered from Original Sources." Whatever the "source" is, it is not very original. Compared to the Preiser issue (Preiser CD 90192) the sound is heavily processed and muddy. One would also think that the "original sources" would know the details of the recording. The label states that it is a recording by the Sachische Staatskapelle in 1944. In reality, it is a recording by the Vienna Philharmonic in June of 1943. One is forced to wonder if this company is purposely mis-labeling performances in order to entice the unsuspecting collector to a supposedly different performance. It is pretty shabby work either way. |
Live Classic BEST 100 - Bruckner: Symphonies No. 4 & 9If you love Karajan, this CD will disappoint you. It claims to have two live Karajan Bruckner performances. But if you find one, you may want to snatch it up, because the Bruckner 4th is actually a performance by Kurt Sanderling and the Bavarian Radio Symphony Orchestra and the Bruckner 9th is with Jascha Horenstein and the BBC Northern Symphony Orchestra. |
Living Stage LS-1009 - Bruckner Symphony No. 9The conductor and the date are right, but the orchestra is wrong. It's the Bavarian State Orchestra. But the big news here is that Knappertsbusch conducts the Finale to the Bruckner 9th. Amazing! I wonder if he uses Carragan's or one of the Samale/Cohrs/Phillips editions - or maybe it's by Loewe!! You can relax, it's just the 3 movement Ninth - but what symphony do those four movements belong to? It appears to be the first published edition of the Third Symphony. That's why it attributes the edition to Franz Schalk.
(My thanks to Yasuhiro Izumi in Japan for this information.) |
Orfeo C208 891 A - Bruckner Symphony No. 7 |  | |
At first, I resisted putting this CD onto my list, since it deals with a performance issue and not a production issue. Getting into performance issues can open up an entirely new type of discussion. However, I believe that this is a unique situation that defies a rational explanation. This CD offers a performance by the Bavarian Radio Symphony Orchestra conducted by Sir Colin Davis. It is a live performance recorded in the Philharmonie im Gasteig in Munich on May 1st of 1987. As the CD booklet shows, Sir Colin chose to perform the symphony with the Scherzo and Adagio reversed. Before adding this CD to this page, I had a colleague check with the Bavarian Radio about this performance. Perhaps, the movements were reversed in the production of the CD. However, the actual concert tape in the Bavarian Radio archives states that, "changed order of movements authorized by Colin Davis". So there you have it. Perhaps Sir Colin thought that the Seventh Symphony should be performed like the Symphony No. 8. In 1984, he performed the same work with the same ensemble in the correct order. Let's hope he reverts to the proper order in the future and leaves Bruckner's compositional structure alone. And one must wonder why Orfeo would release such a peculiar performance.
(My thanks to Johannes Honigmann and Hans Roelofs for this information.) |
Orfeo C 550 011B - Bruckner: Symphony No. 9Rafael Kubelik has long been associated with the music of Bruckner as well at that of his fellow countryman, Antonin Dvorak. Maybe that is why this disc gives Bruckner's dates as ANTON BRUCKNER (1841-1904).
(My thanks to Johannes Honigmann in France for this information.) |
Point 2650102 - Bruckner: Symphony No. 9This recording (claimed to be conducted by Cesare Cantieri) has shown up under the name of several conductors. We don't know who it really is, but in every guise and format, the recording opens with the Third Movement, followed by the Scherzo and then concludes with the Adagio all over again. We have never found the first movement. Too bad. It's a good performance. |
Sony SB2K 53519 - Bruckner Symphonies 3 and 8When this release came out in 1995 (a pairing of two George Szell / Cleveland Orchestra performances), it suffered from an incredible defect in that the dacapo of the scherzo (from bar 59) to the Symphony No. 3 was missing. It sounded terrible and it is hard to imagine how anyone with any musical sensitivity could have heard this and not known that something was missing. Sony eventually corrected the error. When the corrected copies were released, Sony stayed with the covers that posted the timing of the scherzo at 5'53". The corrected scherzo times out at 7'18". |
Urania URN 22.188 - Bruckner Symphony No. 8This CD was produced in Milan, Italy The liner notes tell of the important contribution that this CD makes to the Rosbaud discography. They state that the recording was made in 1951. The timings of the individual movements are 13'35" 13'24" 18'05" and 19'29". However, the tape in the SWR archives gives the date as November 17, 1955. The timings of this recording are 13'39" 13'28" 26'11" and 19'20". So, the big question here is - What happened to eight minutes of the Adagio? The edit is smooth and hard to find but why was it ever cut? Even in its full length, the recording clocks in at under 74 minutes, so there is no problem fitting this performance onto one CD. Hopefully, the full recording will be available someday! |
Vibrato VHL 26 - Bruckner Symphony No. 8This recording is a pirate CD produced in Japan (don't let the "Made in USA" statement fool you). If you happen to be in a CD specialty shop in Japan and you see this recording which claims, on the cover, that it contains a Bruckner Symphony No.5 conducted by Josef Krips, you might get very excited. I sure would. Actually, if you flip the CD over, it accurately states that the recording is of the Symphony No. 8. Secondly, the CD claims that the recording comes from a concert given at Carnegie Hall in New York on December 2, 1961. Our producer seems to have trouble with his numbers. The recording dates from December 3rd |
Vibrato VLL 136 - Bruckner: Symphony No. 9This company wants you to believe that this is yet another Celi Bruckner Ninth from Stuttgart. They date it correctly as 1974 (other companies have mis-dated this recording) but the timings would indicate that it must be different from the one commercially released on Deutsche Grammophon. The extra length is achieved by playing the opening 115 bars of the Scherzo (to letter E) twice! (My thanks to Hans Roelofs for pointing this out.) |
Weton Wesgram GC019 - Bruckner Symphony No. 4The cover says it all! This is a CD + CD-Rom with a brief biography in addition to a performance of the Symphony # 4 (The infamous Adolph / Philharmonia Slavonica performance) . The multimedia concept is interesting and the biography is OK, but the picture of Brahms keeps showing up and ruins the entire presentation. What kind of quality control would let a picture of Brahms grace a Bruckner CD? |
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